Jared Everitt

I have five years of experience in performance analysis, strategy, and project delivery, backed by a B.S. in Computer Science from UW-Madison. I turn data into decisions and build the tools to do it, including an analytics platform in Python, SQL and React that organizes 35,000+ audience-retention data points and flags outliers against benchmarks. I integrated an LLM to interpret the flagged metrics, using structured prompts and output formats to keep results consistent.

Most recently I led content strategy for a digital media network, contributing to more than 1 billion views. I grew a new channel from zero to 1 million subscribers in five months, and my analysis supported the strategy behind 119 million views in a single month. I also translated partner briefs into deliverables for brands like Universal Pictures, Warner Brothers and HBO Max, and coordinated teams of dozens through review and approval.

What I do

Strategy and analysis

I use retention, click-through, and audience data to find patterns and guide decisions, from how something launches to what gets made next.

  • Performance analysis
  • benchmarking
  • experimentation
  • prioritization
  • audience insights

Project delivery

I turn partner briefs into defined requirements and deliverables, then manage them through handoffs, reviews, and final approval.

  • Requirements gathering
  • scoping
  • stakeholder reviews
  • team handoffs
  • campaign planning

Technical

I build data tools, from Python ingestion and relational data models to interactive React interfaces.

  • Python
  • SQL and SQLite
  • JavaScript
  • React
  • HTML/CSS
  • relational data modeling
  • scripting APIs

AI and automation

I apply LLMs to structured metrics and research to produce plain-language analysis, and I automate repetitive steps in production workflows.

  • AI-enabled analytics
  • LLM workflows
  • prompt and output design
  • workflow automation
  • rapid prototyping
Education
B.S. in Computer Science, University of Wisconsin-Madison, 2019–2022, Dean's List

Technical projects

Viewership Dynamics Model

Python · SQLite · React

The similarity graph: each node is a channel, colored by the community label propagation settled on.

I spent five years on content strategy for SocksIRL, which mostly meant staring at retention graphs trying to figure out why one video worked and a nearly identical one didn't. YouTube Studio is good at telling you what happened. It's much worse at telling you why, and it has no opinion at all about who you should be measuring yourself against.

So I built the Viewership Dynamics Model. There are two parts: a network model that finds a channel's real competitive set, and a retention model that breaks down where and why viewers leave.

Read how it works Show less

Modeling a channel's competitive network

Ranking channels by subscriber count is close to useless here. The 10-million-sub channel in your category might share almost nothing with your audience.

Instead I pulled recent video titles from public feeds for about 100 channels, turned each channel into a TF-IDF vector built from its name and upload titles, and compared them with cosine similarity. Any given channel only touches a small slice of the total vocabulary, so I stored the vectors as sparse hash maps.

With 97 channels that's 4,656 pairwise comparisons. The pass is O(n²), which would matter at real scale and doesn't matter at this one.

The similarity scores became a weighted graph. My first version drew every edge and produced a mess basically, so I moved to an adjacency list and kept only the four strongest edges per node. Rather than hardcode a cutoff, I set the threshold at the 75th percentile of the actual similarity distribution, which lets the graph adapt to whatever dataset it's handed instead of assuming one number works everywhere.

Communities come from label propagation: every node starts with its own label and repeatedly adopts the strongest weighted label among its neighbors. The algorithm can land on different valid answers, so I capped iterations and broke ties deterministically.

The result is what I was actually after. The biggest creator in a category is almost never your most useful comparison. The useful one is whoever is already making content for the same audience.

Reading retention curves as sequences

The retention side ingests 46 real YouTube Studio exports covering roughly 445 million views and 36,800 individual curve points, including overall retention, subscribers vs. non-subscribers, new vs. returning, and loyalty tiers.

I treat each curve as an ordered sequence and derive hook strength, steepest drop, rewatch spikes, loop behavior, and gaps between audience segments. Finding the worst stretch of a video turns out to be a maximum-subarray problem.

I also compute a position-wise median curve across the whole catalog. Median rather than mean, because Shorts routinely break 100% retention through looping (sometimes, like 300%).

A single video's retention curve against the catalog median, with the steepest drop flagged on the timeline.

The clearest example it surfaced was a 21-million-view short that held about 75% of viewers through the video, then dropped 29 percentage points around the 94% mark. By every dashboard metric, that video is a win. The curve says viewers were leaving at the final transition instead of looping back into the opening, which is a fixable ending on a video that already worked.

The network model tells you who to compare against. The retention model tells you whether your problem is the hook, the pacing, the sponsor read, or the last two seconds. I was running this while the network was doing over 100 million views a month. Every conclusion traces back to a specific channel, video, or segment. Everything is a calculated decision.

YouTube Studio overview for a selected period: 119.4M views, 1.8M watch hours, and 245.3K subscribers gained.
Channel analytics over a single reporting period: 119.4M views, 1.8M watch hours and 245.3K subscribers gained.

Brand partnerships

  • NASCAR
  • Universal Pictures
  • Opera GX
  • MrBeast
  • Warner Brothers
  • Mojang Studios
  • HBO Max
  • Night Media
  • Paramount Pictures
  • Nickelodeon
  • Blumhouse
  • Legendary Entertainment

Case studies

Universal Pictures

Ten minutes with a film cast

The creator had ten minutes with the cast of a major Universal Pictures release: Matthew Lillard, Mckenna Grace, and Josh Hutcherson. My idea was to have an artist draw the three actors as characters in the film's style, revealed at the end, and I cut the first pass the same day. It became the most viewed reaction piece for the film's release, now past 37M views.

NASCAR

Exclusive access at the track

For a NASCAR campaign, the channel got exclusive access to a racetrack. We built the sponsored short the same way we built our own content: a curiosity hook about a million-dollar race car, the same pacing as the channel's shorts, and the partner integrated into the video itself.

Warner Brothers, Legendary Entertainment, HBO Max

Three shorts for a film campaign

For a major studio film campaign, working with the agency Night Media, we produced three sponsored shorts. I recorded footage, arranged the voiceover, and ran several revision rounds directly with the agency. Footage I recorded was also used in the brand's official promotional video.

Featured work

Everything below was made for a YouTube network with over 10 million subscribers across its channels. My role is tagged on each video.

Shorts

The shorts were mine end to end: scripted, edited, and often filmed by me.

Would you go to the deepest hotel for a mystery prize?

21M+ views

  • Scripted
  • Edited

Scripted and cut end to end.

Watch on YouTube

Longform

Longform was a team effort, with dozens of people on the biggest productions.

Worlds Most Isolated Hotels

10M+ views

  • Review
  • Planning

I reviewed this video and helped plan its structure. I did not edit it.

Watch on YouTube

I also worked on two large-scale productions that reached 66M and 31M views.

Portfolio snapshot

The videos above are a sample. Across a wider selection of my work for the network, nearly every video passed a million views.

  • 113+videos
  • 1B+total views
  • 37passed 10 million views
  • 63Mviews on my best-performing video

Contact

jaredebusiness@gmail.com
Contact